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Sadza Dashes Handcrafted Pillow Cover

Sadza Dashes Handcrafted Pillow Cover

SKU: DC-3145390
$69.00Price

Minimalism is boring unless it has a story, and the Sadza Dashes Pillow Cover is the kind of object that quietly insists your couch is smarter than you are.

 

What It Is:
This 18" x 18" pillow cover is made from 100% handwoven cotton, then transformed through a resist-painting process using Sadza—a porridge-like maize paste that doubles as Zimbabwe’s culinary and artistic tradition. The paste is sun-dried, baked, and scraped away to reveal a crackled, almost accidental pattern that makes each pillow look like it fell out of some high-concept gallery you’d never be able to pronounce.

 

Why You’ll Actually Use It:
Because it’s not just a pillow—it’s a subtle exercise in narrative capitalism. It makes your living room look like it has depth without anyone needing to explain that you actually paid attention in design history class. Neutral enough to fit anywhere, intricate enough to make anyone wonder if you traveled or just have impeccable taste, it’s the kind of object that allows your furniture to flex without shouting.

 

Key Details:

  • Size: 18" x 18"

  • Material: 100% handwoven cotton

  • Handcrafted in Zimbabwe using traditional Sadza resist-painting techniques

  • Unique crackled texture, no two pillows are the same

 

Impact:
Every pillow tells the story of Zimbabwean artisans keeping centuries-old textile traditions alive while navigating a modern, global marketplace. Buying one is simultaneously an act of style and a quiet nod to human labor, culture, and ethics.


The Sadza Dashes Pillow Cover makes your home look like it was curated by someone who travels, reads, and maybe even thinks too much about why objects exist.

 

About the brand:  Powered by People
Powered by People is basically what happens when “shopping small” gets a global operating system. Instead of mass-produced sameness, they connect you with makers who are spinning out hand-dyed textiles, hand-thrown ceramics, and jewelry that feels like it was pulled from an alternate reality where craftsmanship never went out of style. The through-line isn’t just aesthetics—it’s the insistence that every object has both utility and a backstory, often rooted in sustainable practices, reclaimed materials, and cultural traditions that would otherwise get bulldozed by the modern marketplace. In short: they’re trying to prove that conscious consumption doesn’t have to look like homework.

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