Campo de Arroz Wall Tapestry | Handwoven Reclaimed Cotton Art
What if your walls could hold a story, not just a color? Meet the Campo de Arroz Tapestry.
What It Is
Part of Caralarga’s “Recovered” Collection, this handwoven wall tapestry transforms reclaimed cotton thread into a sculptural narrative. Each strand is salvaged from previous large-format projects, stored, and carefully reassembled, turning what would have been waste into a tactile centerpiece for your home.
Why You’ll Actually Use It
Beyond looking like something out of a gallery, this tapestry gives your walls presence, texture, and a subtle reminder that design can be both ethical and arresting. It’s the kind of piece you don’t just hang—you live with it, notice it in light and shadow, and maybe even feel slightly smarter for owning it.
Key Details:
Dimensions: 47" W x 43" H
Materials: 100% reclaimed raw cotton yarn, pine base, 100% cotton lining
Handmade by skilled artisans under fair and sustainable practices
Unique variations in color and texture due to reclaimed materials
The Campo de Arroz Wall Tapestry isn’t just décor—it’s a conversation between past and present, material and maker, and the kind of object that makes a space feel like it actually belongs to someone.
About the brand: Caralarga
Caralarga feels like the cultural answer to the question no one asked, “What if everyday décor could feel like a lived memory instead of a showroom sample?” Born from an impulse to reclaim texture and tactility in a world increasingly dominated by slick surfaces and algorithmically approved aesthetics, the brand elevates handwoven artistry into something that feels both ancient and urgent. Working with artisans who coax form and rhythm out of raw cotton and wood, Caralarga produces pieces that aren’t merely decorative but narratively dense — objects that carry the traces of hands, time, and intention, made with respect for both people and the planet. In a marketplace obsessed with novelty, Caralarga’s work reminds you that design isn’t just about what you see at first glance; it’s about the subtle dialogue between material, maker, and the person who finally decides to live with it.